
Fruit Bats - When U Love Somebody
I think one of you must have put this on a mix that I downloaded at some point because I was able to put it on...
Heartwarming Tearjerker of the Day: Scott Widak has Down syndrome and is terminally ill with liver disease, and he loves to receive mail. So his...
“If the world were merely seductive, that would be easy. If it were merely challenging, that would be no problem. But I arise in the morning torn between a desire to improve the world and a desire to enjoy the world. This makes it hard to plan the day.”
E. B. White, 1976
(via womansoheartless)
For much of my life now I’ve been trying to undo my westernized damaged brain by tempering it with some Eastern holistic community-based, we’re-all-relatives connected kind of thinking. A culture that views animals and plants as inanimate piles of protoplasmic structure to be manipulated however cleverly hubris can imagine to manipulate it will view its citizens the same way. And other cultures the same way. Our respecting and honoring the pigness of the pig, therefore, creates the ethical and moral framework upon which we respect and honor the Maryness of Mary and Tomness of Tom.
It is how we respect and honor the least of these that determines how we honor and respect the greatest of these. As a culture, as a nation, we cannot occupy a respected place in the world unless and until we restore sacredness to life. You and I are much more than a dissected pile of organs, blood, bone, and flesh. Life is more than just pieces and parts; it is breath, interaction, spontaneity. Gifts and talents, creativity and intuition, entrepreneurship and work ethic—these define the individual as much as hair color, skin color, and language.
(via thatkindofwoman)
(via poehlerparty)
The entrancement of film is that the reading protocols are invisible. You give yourself to a film, ideally, in a gigantic darkened auditorium: and it washes over you. It makes its own reality inevitable. And you don’t have to ever think about your efforts in reading or constructing it. You can’t slow or speed up that experience (I mean, now technically you can, but you don’t want to, you want to succumb). It masters you totally.
The seduction of a comic is secretly the exact opposite. People don’t think about it, but you learn to read a comic book. It’s a very complicated reading protocol. A very active one. It’s like you’re in a damp world and you have to keep striking matches to light it up. You’re constantly working to decide—do I read the words in the panel, do I read the word in the box at the top, do I look at the picture, do I skip ahead and look at where the pictures are going to go later on, do I do it fast, do I do it slow, do I read every word, do I mainly see it? What am I doing here? You’re always deciding how to make the narrative come alive. It’s actually a much more complicated form of reading than reading text! Because you’re making these switches from the visual to the verbal. So one is a completely globally active reading protocol, and the other is this sublime, passive dreamlike surrender. And I don’t think you can ever get from one to the other. They’re almost opposite ends of the aesthetic experience.
Writer Jonathan Lethem on why he loves meta-nonfiction — and hates superhero flicks. Read more. (via theatlantic)
I don’t agree with the ultimate argument here (which is silly on its face), but I do like Lethem’s descriptions of each experience.
(via murmurandshout)
(via murmurandshout)