middle cyclones and other references

"He slept that night in his own country and he had a dream wherein he saw God's pilgrims laboring upon a darkened verge in the last of the twilight of that day and they seemed to be returning from some deep enterprise that was not of war nor were they yet in flight but rather seemed coming from some labor to which perhaps these and all other things stood subjugate."
The Crossing, Cormac McCarthy


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Posts tagged "music"
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Sufjan Stevens,
Illinoise

“The Man of Metropolis Steals Our Hearts” - Sufjan Stevens

Only a real man can be a lover
If he had hands to lend us all over
We celebrate our sense of each other

We have a lot to give one another 

It’s summer. Open your windows. 

bbook:

There’s been a fun little trend in movies in the last few years in which period films are all ramped-up and kick-ass. Remember A Knight’s Tale, the Heath Ledger-fronted middle ages comedy featuring a dance-off to David Bowie? Or Baz Luhrmann’s whole aesthetic? Well, now we can extend the same idea to La-La Land of the Golden Age of Hollywood, as the trailer for Gangster Squad, this fall’s ensemble drama about the LAPD’s war on organized crime, is set to Jay-Z. Sure, why not?

‘Gangster Squad’: Old-Timey Cops Growl and Love Jay-Z

Top 6 Musical Moments In TV
 2/6 Buffy Season Two, Episode 22; Becoming Part 2
Full of Grace by Sarah McLachlan [x]

Sometimes I’ll be lying in my bed listening to music and the only thing I want to listen to is this song and then the Boyfriend will call out and be like, “Hey, is everything okay? …..there’s a lot of sad-sounding lady-singing in there” and I just flail and go “You don’t even know” because Buffy. 

(via vickywinters)

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Rilo Kiley,
Takeoffs & Landings

“Pictures of Success” by Rilo Kiley

They say California is a recipe for a black hole,
And I say, I’ve got my best shoes on, I’m ready to go…
These are times that can’t be weathered,
And we have never been back there since then. 

I remember listening to this song a lot right before graduating from high school. I chose somewhat drastically in February of senior year to go to a university halfway across the country; my first serious relationship had ended and the town seemed stale and used up with my old memories. So I left. I started a habit that I became very good at, which was staying in transit, not putting down roots, enjoying anonymity, choosing not to bother with worn out and perfunctory friendships. When Jenny Lewis sings that “we have never been back there since then,” I still get a little bit excited; I still feel the way I felt on all the walks around my neighborhood in senior year, waiting to put as much physical distance between me and my past as possible. 

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Jefferson Airplane

Jefferson Airplane - Somebody To Love

My blog is all music right now because I need that figurative last push to get through the year and music is a good source for said motivation. Also, this song is perfect, and A Serious Man indeed has the greatest last shot in film, and the song itself always perfectly expresses that grim and tired acceleration verging on catastrophe that I feel at the end of a school year. 

(via cinemas-)

“To Build a Home” by The Cinematic Orchestra

By the cracks of the skin I climbed to the top
I climbed the tree to see the world
When the gusts came around to blow me down
I held on as tightly as you held onto me
‘Cause I built a home for you, for me
Until it disappeared, from me, from you 

bbook:

Forgive

For your listening pleasure.

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A Tribe Called Quest,
People's Instinctive Travels And Paths Of Rhythm

no-brainer:

A Tribe Called Quest - “Can I Kick It?”

Dipping back into an old school classic today. In 1990, A Tribe Called Quest broke onto the hip hop scene with their forward thinking debut, People’s Instinctive Travels And The Paths Of Rhythm.

Filled w/ samples (most notably Lou Reed’s “Walk On The Wild Side”) and the smooth vocal stylings of Q-Tip and Phife Dawg, “Can I Kick It?” was the first Tribe song I ever heard as a kid, and to this day remains one of the greatest tracks in hip hop history… no-brainer.

ONE WEEK TIL SUMMER. 

(via murmurandshout)

pitchfork:

Listen to Beck’s sweet, wafting new cover of oldie “I Only Have Eyes for You”— part of multimedia artist Doug Aitken’s “SONG 1” project— here.

(via womansoheartless)

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The Raconteurs,
Broken Boy Soldiers

“Level” by the Raconteurs

I like when I have my iTunes on shuffle to study and I hear/love a song that I’ve never paid attention to before. 

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Kristin Hersh,
Foxfire

“Me and My Charms” by Kristin Hersh

First rainy day of spring. 

Disliking hip-hop doesn’t make you a racist any more than liking hip-hop makes you not a racist, and I’m sure there are plenty of Stormfront enthusiasts with Rick Ross in their iTunes. If you don’t like Jay-Z because you just don’t like the way he sounds, or you’re sick of his cloying ubiquity, or you wish he’d talk about something other than where he’s from for five seconds—hey, I’m not mad, I don’t like Bruce Springsteen for the same reasons. But if you don’t like rap music—a genre that contains multitudes—because of a self-satisfied moralism, or because you’re scared of it, or because you wish those people would stop talking about their problems and get out of your television and radio and kids’ bedrooms: well.

And I’m not just talking about the American right, I’m talking about all the well-meaning white folks who’ve told me how they want to like Lil Wayne but lo, the misogyny, the violence, the drugs. But, but, I’ll say: Bob Dylan aced misogyny; the Rolling Stones sang about violence; the Velvet Underground knew their way around some drugs. Yeeeah, but it’s different, they’ll say, elongating that “yeah” with conspiratorial inflection: you know what I mean. Yeah, I know exactly what you mean.

Rap music doesn’t get unarmed kids shot to death, “it’s different” does. “It’s different” infuses “these assholes always get away” and gives solace to people who hear that sound bite and nod their empty heads in agreement. “It’s different” is the same logic that suggests a teenager’s skin color combined with the music he listened to means he had it coming, and it’s the same logic that lets a bunch of people feign outrage over a teenager’s use of the n-word to describe himself when they’re really just outraged that he beat them to the punch.

“It’s different” makes me shake with anger because it turns music into a dog-whistle to justify the murder of a kid who doesn’t seem all that “different” from me was when I was his age, not that different at all. I liked Skittles and hoodies and weed, too. And yeah, I’m white and never worried about getting shot for any of it, which is only the most loathsome excuse for not identifying with someone that I can possibly think of.

Jack Hamilton, “America Is Dying Slowly: Talking About Hip-Hop After Trayvon Martin” (Good)

but for real: read this.

(via champagnecandy)

(via apalelandscape)

It could explain the biggest red flag on the album: Minaj duets with just plain distressing R&B singer Chris Brown, and in the song she plays a character who is an unwinking damsel in hetero distress. If Minaj was serious about the promise she made to be responsible to her young women fans in Pink Friday’s “I’m The Best,” to be “here to reverse the curse that they live in,” she would not work with a known abuser.
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Joni Mitchell,
Blue

“California” - Joni Mitchell

Oh, it gets so lonely when you’re walking and the streets are full of strangers
All the news of home you read just gives you the blues…
Oh will you take me as I am, strung out on another man?
California, I’m coming home.